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Sligachan Bridge, Skye. Oil Painting Commission.


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What a lovely, dramatic subject for a commission. A commission is always a challenge as you are trying to get into the mind of the client and trying to communicate well enough so that you each truly understand one another. This client wanted quite a stark image I believe but I find it very hard to desaturate my paintings so I worked on two at once. The one on the right feels more me, but I learnt a lot from painting the one on the left. It is bleak but very dramatic. The composition created a bit of a challenge with the bridge falling very central and essentially cutting the painting in two - not very golden section. I hope that the rocks in the foreground balance this out. The other challenge was to create the movement of the water around the rocks and to add water where there wasn't any (from the source reference for the painting on the left). These are both quite small but painting small doesn't necessarily take less time. I worked on these for a week and will be waiting now to add a varnish and paint the edges. I would love to hear the experiences of other artists and makers working from commission.

 
 
 

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Sydney, They/Them, Oil on Canvas, 30x60cm.

The pressure to conform to gender stereotypes was not something Sydney was willing to do at High School.

Identity should not be tied to how you look or how you behave or to gender norms.

Sydney has changed quite a bit since this painting but I love the defiance and confidence in her eyes. 

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