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Painting Sheepscape, 2023.

Well, this was absolutely a first for me.  I applied to paint a sheep for the RHS at the last minute, photoshopping two of my paintings into the templates. I really had no expectation of being selected so was both thrilled and terrified when I got the acceptance email. 

There then followed some frantic research and a long chat with a really helpful member of staff at Cass Art. £300 later I had the materials I thought I would need. I spent around £50 on spray paints and the rest on acrylics and brushes.

We were all brought into a large hanger on the first day to meet our sheep, helpfully placed in a sheep pen with hay on the concrete floor. This was great for the visuals but not so wonderful for the artists.

Having never done this before, I hadn't a clue what I was doing and a film and camera crew were wandering around.  I decided I would throw myself into it. I got the spray paints out and made a start, showing a confidence I did not feel. Two days later, I was happy with what I had produced. It was amazing watching all the other artists around me develop their designs. One woman spent over 100 hours on hers. 

What I have learnt for next time is to prepare your substrate; sand down and re-gesso the surface. I had quite a few places where the paint began to flake as I had almost finished working on Sheepscape.  This was frustrating. Secondly, enjoy it. These opportunities to work alongside other artists are rare. 

Sheep 2_edited.jpg
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©2020 by Charity McArdle Fine Art. Proudly created with Wix.com

Sydney, They/Them, Oil on Canvas, 30x60cm.

The pressure to conform to gender stereotypes was not something Sydney was willing to do at High School.

Identity should not be tied to how you look or how you behave or to gender norms.

Sydney has changed quite a bit since this painting but I love the defiance and confidence in her eyes. 

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